120 is a statement of balance, precision, and the organic beauty of wood. It is not merely a table but a convergence of craftsmanship and mathematical harmony, where structure and aesthetics exist in perfect synchrony.

At its foundation, three legs, each placed at a 120-degree angle create a triadic symmetry, forming an unshakable stance of equilibrium. This deliberate geometry offers not only structural integrity but a visual rhythm that draws the eye to its sculptural form.

The material, chestnut wood, tells a story of resilience and warmth. The table’s top, crafted from endgrain chestnut, transforms its surface into a mosaic of nature’s time-etched patterns. The deep, intricate grain reflects light differently from every angle, embodying movement within stillness. The contrast between the smoothly contoured edges and the textural complexity of the endgrain invites

both touch and admiration. The carved recesses where each leg seamlessly meets the tabletop are not merely functional but sculptural gestures, almost an invitation to explore how material and form can speak to one another.

120 is not just furniture; it is a meditation on connection between angles and curves, between nature and craft, between strength and softness. It is a piece that does not simply occupy space but transforms it.